Babylonian culture

Babylonian culture refers to the ancient civilization centered in the city of Babylon, in what is now Iraq, known for its rich traditions in art, architecture, astronomy, medicine, and law, most notably the Code of Hammurabi. Key aspects include massive temples to polytheistic gods like Marduk, development of architectural elements like the pilaster and column from brick use, advanced astronomical observation, and the practice of reading and writing, often from translated Sumerian texts like the Epic of Gilgamesh.

Bronze Age to Early Iron Age Mesopotamian culture is sometimes summarized as "Assyro-Babylonian", because of the close ethnic, linguistic and cultural interdependence of the two political centers. The term "Babylonia", especially in writings from around the early 20th century, was formerly used to also include Southern Mesopotamia's earliest pre-Babylonian history, and not only in reference to the later city-state of Babylon proper. This geographic usage of the name "Babylonia" has generally been replaced by the more accurate term Sumer or Sumero-Akkadian in more recent writing, referring to the pre-Assyro-Babylonian Mesopotamian civilization.

The Babylonians were polytheistic, worshipping a pantheon of gods and goddesses, with Marduk as the chief patron god of Babylon. Temples were elaborate structures housing cult statues that were treated as the gods themselves. The Babylonians created massive temples of brick, developing pilasters, columns, frescoes, and enameled tiles. Gem-cutting was a highly refined art, and they produced three-dimensional statues. 

Babylonians translated and preserved much of ancient Sumerian literature, including epic works like the Epic of Gilgamesh. Both men and women learned to read and write, and there is evidence of a public school system. 

They meticulously recorded astronomical phenomena, compiling extensive catalogues of stars and constellations and developing methods to predict celestial events. Basic medical practices like diagnosis and prognosis were introduced, and various illnesses with their symptoms were catalogued. 

The Code of Hammurabi is a famous example of Babylonian legal tradition, comprising 282 laws focused on contracts and family law. Families were typically monogamous, though polygamy was allowed in certain situations. Marriage agreements and divorce were structured by law. 

Astronomy: 

Babylonian astronomers made extensive records of celestial phenomena and developed a new empirical approach to astronomy during the 8th and 7th centuries BCE. They recognized planets as periodic phenomena and used observations for the good of the state.

Tablets dating back to the Old Babylonian period document the application of mathematics to the variation in the length of daylight over a solar year. Centuries of Babylonian observations of celestial phenomena are recorded in the series of cuneiform script tablets known as the 'Enūma Anu Enlil'. The oldest significant astronomical text that we possess is Tablet 63 of 'Enūma Anu Enlil', the Venus tablet of Ammi-Saduqa, which lists the first and last visible risings of Venus over a period of about 21 years and is the earliest evidence that the phenomena of a planet were recognized as periodic. 

The oldest rectangular astrolabe dates back to Babylonia c. 1100 BC. The MUL.APIN, contains catalogues of stars and constellations as well as schemes for predicting heliacal risings and the settings of the planets, lengths of daylight measured by a water clock, gnomon, shadows, and intercalations. The Babylonian GU text arranges stars in 'strings' that lie along declination circles and thus measure right-ascensions or time-intervals, and also employs the stars of the zenith, which are also separated by given right-ascensional differences.

Among the sciences, astronomy and astrology still occupied a conspicuous place in Babylonian society. Astronomy was of old standing in Babylonia. The zodiac was a Babylonian invention of great antiquity; and eclipses of the sun and moon could be foretold. There are dozens of cuneiform records of original Mesopotamian eclipse observations.

Babylonian astronomy was the basis for much of what was done in ancient Greek astronomy, in classical, in Sasanian, Byzantine and Syrian astronomy, astronomy in the medieval Islamic world, and in Central Asian and Western European astronomy. Neo-Babylonian astronomy can thus be considered the direct predecessor of much of ancient Greek mathematics and astronomy, which in turn is the historical predecessor of the European (Western) Scientific Revolution.

During the 8th and 7th centuries BC, Babylonian astronomers developed a new approach to astronomy. They began studying philosophy dealing with the ideal nature of the early universe and began employing an internal logic within their predictive planetary systems. This was an important contribution to astronomy and the philosophy of science and some scholars have thus referred to this new approach as the first scientific revolution. This new approach to astronomy was adopted and further developed in Greek and Hellenistic astronomy.

In Seleucid and Parthian times, the astronomical reports were of a thoroughly scientific character; how much earlier their advanced knowledge and methods were developed is uncertain. The Babylonian development of methods for predicting the motions of the planets is considered to be a major episode in the history of astronomy.

The only Babylonian astronomer known to have supported a heliocentric model of planetary motion was Seleucus of Seleucia (b. 190 BC). Seleucus is known from the writings of Plutarch. He supported the heliocentric theory where the Earth rotated around its own axis which in turn revolved around the Sun. According to Plutarch, Seleucus even proved the heliocentric system, but it is not known what arguments he used.

Mathematics:

The Babylonians devised a sexagesimal (base 60) numeral system, which is the basis for modern divisions of time (60 seconds in a minute, 60 minutes in an hour) and circles (360 degrees). They had knowledge of the Pythagorean theorem long before Pythagoras and estimated the square root of two to seven places.

Babylonian mathematical texts are plentiful and well edited. In respect of time they fall in two distinct groups: one from the First Babylonian dynasty period (1830–1531 BC), the other mainly Seleucid from the last three or four centuries BC. In respect of content there is scarcely any difference between the two groups of texts. Thus Babylonian mathematics remained stale in character and content, with very little progress or innovation, for nearly two millennia.

The Babylonian system of mathematics was sexagesimal, or a base 60 numeral system. From this we derive the modern-day usage of 60 seconds in a minute, 60 minutes in an hour, and 360 (60 × 6) degrees in a circle. The Babylonians were able to make great advances in mathematics for two reasons. First, the number 60 has many divisors (2, 3, 4, 5, 6, 10, 12, 15, 20, and 30), making calculations easier. Additionally, unlike the Egyptians and Romans, the Babylonians had a true place-value system, where digits written in the left column represented larger values (much as in our base-ten system: 734 = 7×100 + 3×10 + 4×1). Among the Babylonians' mathematical accomplishments were the determination of the square root of two correctly to seven places (YBC 7289). They also demonstrated knowledge of the Pythagorean theorem well before Pythagoras.

The ner of 600 and the sar of 3600 were formed from the unit of 60, corresponding with a degree of the equator. Tablets of squares and cubes, calculated from 1 to 60, have been found at Senkera, and a people acquainted with the sun-dial, the clepsydra, the lever and the pulley, must have had no mean knowledge of mechanics. A crystal lens, turned on the lathe, was discovered by Austen Henry Layard at Nimrud along with glass vases bearing the name of Sargon; this could explain the excessive minuteness of some of the writing on the Assyrian tablets, and a lens may also have been used in the observation of the heavens.

The Babylonians might have been familiar with the general rules for measuring area. They are also known for the Babylonian mile, which was a measure of distance equal to about 11 kilometres (7 mi) today. This measurement for distances eventually was converted to a time-mile used for measuring the travel of the Sun, therefore, representing time. (Eves, Chapter 2) The Babylonians used also space time graphs to calculate the velocity of Jupiter. This is an idea that is considered highly modern, traced to the 14th century England and France and anticipating integral calculus.

Medicine: 

Ancient Babylonian medical texts introduced the concepts of diagnosis, prognosis, physical examination, and prescriptions. 

We find [medical semiotics] in a whole constellation of disciplines.... There was a real common ground among these [Babylonian] forms of knowledge... an approach involving analysis of particular cases, constructed only through traces, symptoms, hints.... In short, we can speak about a symptomatic or divinatory [or conjectural] paradigm which could be oriented toward past present or future, depending on the form of knowledge called upon. Toward future... that was the medical science of symptoms, with its double character, diagnostic, explaining past and present, and prognostic, suggesting likely future....

— Carlo Ginzburg

The oldest Babylonian (i.e., Akkadian) texts on medicine date back to the First Babylonian dynasty in the first half of the 2nd millennium BC although the earliest medical prescriptions appear in Sumerian during the Third Dynasty of Ur period. The most extensive Babylonian medical text, however, is the Diagnostic Handbook written by the ummânū, or chief scholar, Esagil-kin-apli of Borsippa, during the reign of the Babylonian king Adad-apla-iddina (1069–1046 BC).

Along with contemporary ancient Egyptian medicine, the Babylonians introduced the concepts of diagnosis, prognosis, physical examination, and prescriptions. In addition, the Diagnostic Handbook introduced the methods of therapy and aetiology and the use of empiricism, logic and rationality in diagnosis, prognosis and therapy. The text contains a list of medical symptoms and often detailed empirical observations along with logical rules used in combining observed symptoms on the body of a patient with its diagnosis and prognosis.

The symptoms and diseases of a patient were treated through therapeutic means such as bandages, creams and pills. If a patient could not be cured physically, the Babylonian physicians often relied on exorcism to cleanse the patient from any curses. Esagil-kin-apli's Diagnostic Handbook was based on a logical set of axioms and assumptions, including the modern view that through the examination and inspection of the symptoms of a patient, it is possible to determine the patient's disease, its aetiology and future development, and the chances of the patient's recovery.

Esagil-kin-apli discovered a variety of illnesses and diseases and described their symptoms in his Diagnostic Handbook. These include the symptoms for many varieties of epilepsy and related ailments along with their diagnosis and prognosis. Later Babylonian medicine resembles early Greek medicine in many ways. In particular, the early treatises of the Hippocratic Corpus show the influence of late Babylonian medicine in terms of both content and form.

Art and architecture

The Neo-Babylonian Empire saw a resurgence of monumental architecture under Nebuchadnezzar II. Constructed around 575 BCE, the magnificent Ishtar Gate is magnificent gate was made of brilliantly colored, glazed bricks decorated with reliefs of bulls, lions, and dragons. Hanging Gardens is a lush series of tiered gardens that may have been created for Nebuchadnezzar's wife, though its existence is a subject of historical debate. Nebuchadnezzar rebuilt the Etemenanki towering ziggurat, which is believed to be the inspiration for the biblical Tower of Babel.

In Babylonia, an abundance of clay, and lack of stone, led to greater use of mudbrick; Babylonian, Sumerian and Assyrian temples were massive structures of crude brick which were supported by buttresses, the rain being carried off by drains. One such drain at Ur was made of lead. The use of brick led to the early development of the pilaster and column, and of frescoes and enameled tiles. The walls were brilliantly coloured, and sometimes plated with zinc or gold, as well as with tiles. Painted terracotta cones for torches were also embedded in the plaster. In Babylonia, in place of the relief, there was greater use of three-dimensional figures—the earliest examples being the Statues of Gudea, that are realistic if somewhat clumsy. The paucity of stone in Babylonia made every pebble precious, and led to a high perfection in the art of gem-cutting.

Craftsmanship: 

Due to a lack of stone, Babylonian architects primarily used mud bricks for their impressive temples and structures. The Babylonians were skilled artisans, producing pottery, textiles, and intricate gem-cutting due to the scarcity of stone. 

Literature and education

Cuneiform: Babylonian texts, written in cuneiform on clay tablets, were meticulously recorded and preserved. Epic of Gilgamesh: Much of Babylonian literature was adapted from Sumerian texts, with the Epic of Gilgamesh being one of the most famous. Libraries and education: Libraries existed in most towns, and both men and women learned to read and write. The extinct Sumerian language was also a subject of study. 

There were libraries and temples in most towns; an old Sumerian proverb averred that "he who would excel in the school of the scribes must rise with the dawn". Women as well as men learned to read and write, and in Semitic times, this involved knowledge of the extinct Sumerian language, and a complicated and extensive syllabary.

A considerable amount of Babylonian literature was translated from Sumerian originals, and the language of religion and law long continued to be written in the old agglutinative language of Sumer. Vocabularies, grammars, and interlinear translations were compiled for the use of students, as well as commentaries on the older texts and explanations of obscure words and phrases. The characters of the syllabary were all arranged and named, and elaborate lists of them were drawn up.

There are many Babylonian literary works whose titles have come down to us. One of the most famous of these was the Epic of Gilgamesh, in twelve books, translated from the original Sumerian by a certain Sin-liqi-unninni, and arranged upon an astronomical principle. Each division contains the story of a single adventure in the career of Gilgamesh. The whole story is a composite product, and it is probable that some of the stories are artificially attached to the central figure.

Philosophy

The origins of Babylonian philosophy can be traced back to early Mesopotamian wisdom literature, which embodied certain philosophies of life, particularly ethics, in the forms of dialectic, dialogs, epic poetry, folklore, hymns, lyrics, prose, and proverbs. Babylonian reasoning and rationality developed beyond empirical observation.

It is possible that Babylonian philosophy had an influence on Greek philosophy, particularly Hellenistic philosophy. The Babylonian text Dialogue of Pessimism contains similarities to the Agnostic thought of the sophists, the Heraclitean doctrine of contrasts, and the dialogs of Plato, as well as a precursor to the maieutic Socratic method of Socrates. The Milesian philosopher Thales is also known to have studied philosophy in Mesopotamia.

According to the assyriologist Marc Van de Mieroop, Babylonian philosophy was a highly developed system of thought with a unique approach to knowledge and a focus on writing, lexicography, divination, and law. It was also a bilingual intellectual culture, based on Sumerian and Akkadian.

Law and governance

The strength of Babylonian society came from a centralized government and a clear legal system. One of the most famous Babylonian contributions is the Code of Hammurabi, written around 1754 BCE. It is one of the oldest deciphered legal texts of its length in the world, consisting of 282 laws that established social order and economic rules.

Religion and mythology

Babylonians were polytheistic, worshipping a large pantheon of gods and goddesses. Marduk is the chief patron god of Babylon and head of the mythological pantheon. The Babylonian creation myth, recorded in the Enûma Eliš, tells of the rise of Marduk to supremacy. It explains that humanity was created from a god's blood to serve the other gods. Elaborate cult statues of deities were housed in towering temples, where they were ritually fed and cared for by priests. The massive, stepped pyramids known as ziggurats served as temples believed to be the dwelling places of the gods.

Legacy

Babylonia, and particularly its capital city Babylon, has long held a place in the Abrahamic religions as a symbol of excess and dissolute power. Many references are made to Babylon in the Bible, both literally (historical) and allegorically. The mentions in the Tanakh tend to be historical or prophetic, while New Testament apocalyptic references to the Whore of Babylon are more likely figurative, or cryptic references possibly to pagan Rome, or some other archetype. The legendary Hanging Gardens of Babylon and the Tower of Babel are seen as symbols of luxurious and arrogant power respectively.

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Babylonian landscaping

Babylonian landscaping, specifically referring to the Hanging Gardens of Babylon, is characterized by its impressive tiered structure, sophisticated irrigation system, and abundant use of diverse plant life. It represents a fusion of architectural and engineering prowess, creating a lush, green oasis in the arid Mesopotamian landscape. 

The Hanging Gardens were not truly hanging but rather built on a series of tiered, elevated terraces, resembling a large, green mountain. The gardens were supported by massive stone columns and walls, and potentially included features like vaulted terraces and stone balconies, demonstrating advanced engineering techniques. 

An elaborate system lifted water from the Euphrates River to irrigate the gardens, ensuring the survival of a variety of plants. The gardens featured a wide array of trees, shrubs, and flowers, some of which were exotic and not native to the region, showcasing the wealth and power of the Babylonian empire. 

The Hanging Gardens were not just a beautiful landscape but also carried symbolic meaning, representing fertility, abundance, and the triumph of civilization over nature. The concept of the Hanging Gardens has inspired modern landscaping, particularly the use of vertical gardens and sustainable irrigation practices. 

Hanging Gardens of Babylon

The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World listed by Hellenic culture. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός (kremastós, lit. 'overhanging'), which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace.

According to one legend, the Hanging Gardens were built alongside a grand palace known as The Marvel of Mankind, by the Neo-Babylonian King Nebuchadnezzar II (who ruled between 605 and 562 BC), for his Median wife, Queen Amytis, because she missed the green hills and valleys of her homeland. This was attested to by the Babylonian priest Berossus, writing in about 290 BC, a description that was later quoted by Josephus. The construction of the Hanging Gardens has also been attributed to the legendary queen Semiramis and they have been called the Hanging Gardens of Semiramis as an alternative name.

The Hanging Gardens are the only one of the Seven Wonders whose location has not been definitively established. No extant Babylonian texts mention the gardens and no definitive archaeological evidence has been found in Babylon. Three theories have been suggested to account for this: first, that the gardens were purely mythical, and the descriptions found in ancient Greek and Roman writings (including those of Strabo, Diodorus Siculus and Quintus Curtius Rufus) represented a romantic ideal of an eastern garden; second, that they existed in Babylon but were destroyed sometime around the first century AD; and third, that the legend refers to a well-documented garden that the Assyrian King Sennacherib (704–681 BC) built in his capital city of Nineveh on the River Tigris, near the modern city of Mosul.

Descriptions in classical literature

There are five principal writers whose descriptions of Babylon exist in some form today. These writers concern themselves with the size of the Hanging Gardens, their overall design and means of irrigation, and why they were built.

Josephus (c. 37–100 AD) quotes a description of the gardens by Berossus, a Babylonian priest of Marduk, whose writing c. 290 BC is the earliest known mention of the gardens. Berossus described the reign of Nebuchadnezzar II and is the only source to credit that king with the construction of the Hanging Gardens.

In this palace he erected very high walls, supported by stone pillars; and by planting what was called a pensile paradise, and replenishing it with all sorts of trees, he rendered the prospect an exact resemblance of a mountainous country. This he did to gratify his queen, because she had been brought up in Media, and was fond of a mountainous situation.

Diodorus Siculus (active c. 60–30 BC) seems to have consulted the 4th century BC texts of both Cleitarchus (a historian of Alexander the Great) and Ctesias of Cnidus. Diodorus ascribes the construction to a "Syrian king". He states that the garden was in the shape of a square, with each side approximately four plethra long. The garden was tiered, with the uppermost gallery being 50 cubits high. The walls, 22 feet thick, were made of brick. The bases of the tiered sections were sufficiently deep to provide root growth for the largest trees, and the gardens were irrigated from the nearby Euphrates.

Quintus Curtius Rufus (fl. 1st century AD) probably drew on the same sources as Diodorus. He states that the gardens were located on top of a citadel, which was 20 stadia in circumference. He attributes the building of the gardens to a "Syrian king", again for the reason that his queen missed her homeland.

The account of Strabo (c. 64 BC – 21 AD) possibly based his description on the lost account of Onesicritus from the 4th century BC. He states that the gardens were watered by means of an Archimedes' screw leading to the gardens from the Euphrates river.

The last of the classical sources thought to be independent of the others is A Handbook to the Seven Wonders of the World by the paradoxographer Philo of Byzantium, writing in the 4th to 5th century AD (not to be confused with the earlier engineer of the same name). The method of raising water by screw matches that described by Strabo. Philo praises the engineering and ingenuity of building vast areas of deep soil, which had a tremendous mass, so far above the natural grade of the surrounding land, as well as the irrigation techniques.

Historical existence

It is unclear whether the Hanging Gardens were an actual construction or a poetic creation, owing to the lack of documentation in contemporaneous Babylonian sources. There is also no mention of Nebuchadnezzar's wife Amytis (or any other wives), although a political marriage to a Median or Persian would not have been unusual. Many records exist of Nebuchadnezzar's works, yet his long and complete inscriptions do not mention any garden. However, the gardens were said to still exist at the time that later writers described them, and some of these accounts are regarded as deriving from people who had visited Babylon. Herodotus, who describes Babylon in his Histories, does not mention the Hanging Gardens, although it could be that the gardens were not yet well known to the Greeks at the time of his visit.

To date, no archaeological evidence has been found at Babylon for the Hanging Gardens. It is possible that evidence exists beneath the Euphrates, which cannot be excavated safely at present. The river flowed east of its current position during the time of Nebuchadnezzar II, and little is known about the western portion of Babylon. Rollinger has suggested that Berossus attributed the Gardens to Nebuchadnezzar for political reasons, and that he had adopted the legend from elsewhere.

Identification with Sennacherib's gardens at Nineveh

Oxford scholar Stephanie Dalley has proposed that the Hanging Gardens of Babylon were actually the well-documented gardens constructed by the Assyrian king Sennacherib (reigned 704–681 BC) for his palace at Nineveh; Dalley posits that during the intervening centuries the two sites became confused, and the extensive gardens at Sennacherib's palace were attributed to Nebuchadnezzar II's Babylon. Archaeological excavations have found traces of a vast system of aqueducts attributed to Sennacherib by an inscription on its remains, which Dalley proposes were part of an 80-kilometre (50 mi) series of canals, dams, and aqueducts used to carry water to Nineveh with water-raising screws used to raise it to the upper levels of the gardens.

Dalley bases her arguments on recent developments in the analysis of contemporary Akkadian inscriptions. Her main points are:

The name Babylon, meaning "Gate of the Gods", was the name given to several Mesopotamian cities. Sennacherib renamed the city gates of Nineveh after gods, which suggests that he wished his city to be considered "a Babylon".

Only Josephus names Nebuchadnezzar as the king who built the gardens; although Nebuchadnezzar left many inscriptions, none mentions any garden or engineering works. Diodorus Siculus and Quintus Curtius Rufus specify a "Syrian" king. By contrast, Sennacherib left written descriptions, and there is archaeological evidence of his water engineering. His grandson Assurbanipal pictured the mature garden on a sculptured wall panel in his palace.

Sennacherib called his new palace and garden "a wonder for all peoples". He describes the making and operation of screws to raise water in his garden.

The descriptions of the classical authors fit closely to these contemporary records. Before the Battle of Gaugamela in 331 BC Alexander the Great camped for four days near the aqueduct at Jerwan. The historians who travelled with him would have had ample time to investigate the enormous works around them, recording them in Greek. These first-hand accounts have not survived into modern times, but were quoted by later Greek writers.

King Sennacherib's garden was well-known not just for its beauty – a year-round oasis of lush green in a dusty summer landscape – but also for the marvelous feats of water engineering that maintained the garden. There was a tradition of Assyrian royal garden building. King Ashurnasirpal II (883–859 BC) had created a canal, which cut through the mountains. Fruit tree orchards were planted. Also mentioned were pines, cypresses and junipers, almond trees, date trees, ebony, rosewood, olive, oak, tamarisk, walnut, terebinth, ash, fir, pomegranate, pear, quince, fig, and grapes. A sculptured wall panel of Assurbanipal shows the garden in its maturity. One original panel and the drawing of another are held by the British Museum, although neither is on public display. Several features mentioned by the classical authors are discernible on these contemporary images.

Of Sennacherib's palace, he mentions the massive limestone blocks that reinforce the flood defences. Parts of the palace were excavated by Austin Henry Layard in the mid-19th century. His citadel plan shows contours which would be consistent with Sennacherib's garden, but its position has not been confirmed. The area has been used as a military base in recent times, making it difficult to investigate further.

The irrigation of such a garden demanded an upgraded water supply to the city of Nineveh. The canals stretched over 50 kilometres (31 mi) into the mountains. Sennacherib was proud of the technologies he had employed and describes them in some detail on his inscriptions. At the headwater of Bavian (Khinnis) his inscription mentions automatic sluice gates. An enormous aqueduct crossing the valley at Jerwan was constructed of over two million dressed stones. It used stone arches and waterproof cement. On it is written:

Sennacherib king of the world king of Assyria. Over a great distance I had a watercourse directed to the environs of Nineveh, joining together the waters.... Over steep-sided valleys I spanned an aqueduct of white limestone blocks, I made those waters flow over it.

Sennacherib claimed that he had built a "Wonder for all Peoples", and said he was the first to deploy a new casting technique in place of the "lost-wax" process for his monumental (30 tonne) bronze castings. He was able to bring the water into his garden at a high level because it was sourced from further up in the mountains, and he then raised the water even higher by deploying his new water screws. This meant he could build a garden that towered above the landscape with large trees on the top of the terraces – a stunning artistic effect that surpassed those of his predecessors.

Plants

The gardens, as depicted in artworks, featured blossoming flowers, ripe fruit, burbling waterfalls and terraces exuberant with rich foliage. Based on Babylonian literature, tradition, and the environmental characteristics of the area, some of the following plants may have been found in the gardens:

Olive (Olea europaea)

Quince (Cydonia oblonga)

Common pear (Pyrus communis)

Fig (Ficus carica)

Almond (Prunus dulcis)

Common grape vine (Vitis vinifera)

Date palm (Phoenix dactylifera)

Athel tamarisk (Tamarix aphylla)

Mt. Atlas mastic tree (Pistacia atlantica)

Imported plant varieties that may have been present in the gardens include cedar, cypress, ebony, pomegranate, plum, rosewood, terebinth, juniper, oak, ash tree, fir, myrrh, walnut, and willow. Some of these plants were suspended over the terraces and draped over its walls with arches underneath.

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