2017年10月17日星期二

Pienza, The first Ideal City becomes real, Italian Youth Committee UNESCO


An ideal city is the concept of a plan for a city that has been conceived in accordance with the dictates of some "rational" or "moral" objective.

How Pienza city centre started a urban approach used in modern cities
The "ideal" nature of such a city may encompass the moral, spiritual and juridical qualities of citizenship as well as the ways in which these are realised through urban structures including buildings, street layout, etc. The ground plans of ideal cities are often based on grids (in imitation of Roman town planning) or other geometrical patterns. The ideal city is often an attempt to deploy Utopian ideals at the local level of urban configuration and living space and amenity rather than at the culture- or civilisation-wide level of the classical Utopias such as St Thomas More's.

The ideal city attributed to Luciano Laurana or Melozzo da Forlì.
Several attempts to develop ideal city plans are known from the Renaissance, and appear from the second half of the fifteenth century. The concept dates at least from the period of Plato, whose Republic is a philosophical exploration of the notion of the 'ideal city'. The nobility of the Renaissance, seeking to imitate the qualities of Classical civilisation, sometimes sought to construct such ideal cities either in reality or notionally through a reformation of manners and culture.

That of an “ideal city” is a concept conceived during the Italian Renaissance, in accordance with the dictates of a rational objective. This concept is deeply rooted in the so-called Umanesimo [Renaissance Humanism], a system focusing on humans and their values, capacities, and worth which represented a cultural, social and artistic revolution. In this context the human being at the centre of this system, while the environment in which he lived underwent a revolution too. For the first time the idea of an ideal city came to its definitive design—casting its huge influence on contemporary urban planning.

[pt_view id="13bfa99893"]

The ideal Renaissance town was a symmetric, harmonic settlement built around a central square, similar to that depicted in the anonymous painting The Ideal City.

Piazza Pio II An ideal model of life and government

From the main square, the entire urban tissue developed, with its regular geography aimed at making life easy and harmonious, conceived to maximise the interactions and the happiness of its inhabitants. This eventually came to embody a model of ideal living and government based on the concept of a self-sufficient, peaceful and hardworking population.

The concept of the Ideal City after Pienza

After Pienza, the very idea that a city should reflect some “golden standards”, matching perfectly its territory and time has become a founding principle in the architectural thinking. The quest for efficient, organized and well functioning cities continued through the ages with many great modern and contemporary architects all over the world and through the ages.

Examples of the ideal cities include Filarete's "Sforzinda", a description of which was included in his Trattato di Architettura (c. 1465). The city of Sforzinda was laid out within an eight-pointed star inscribed within a circular moat. Further examples may have been intended to have been read into the so-called "Urbino" and "Baltimore" panels (second half of the fifteenth century), which show Classically influenced architecture disposed in logically planned piazzas. The cities of Nicosia and Valletta, whose fortifications were built in the 1560s by the Republic of Venice and Order of St. John respectively, are considered to be practical examples of the concept of the ideal city. Other notable example of the concept is Zamość in eastern Poland founded in the late 16th century, modelled by the Italian architect Bernardo Morando.

James Oglethorpe synthesized Classical and Renaissance concepts of the ideal city with new Enlightenment ideals of scientific planning, harmony in design, and social equality in his plan for the Province of Carolina. The physical design component of the famous Oglethorpe Plan remains preserved in the Savannah Historic District.

Late nineteenth-century examples of the ideal city include the Garden city movement of Sir Ebenezer Howard, realised at Letchworth Garden City and Welwyn Garden City in England. Poundbury, Prince Charles' architectural vision established in Dorset, is among the most recent examples of ideal city planning.

Youth Committee of the Italian National Commission for UNESCO
https://hisour.com/story/pienza-first-ideal-city-becomes-real-italian-youth-committee-unesco/

2017年10月13日星期五

Starzec i dziewczyna by Teodor Axentowicz


Teodor Axentowicz painted many realistic genre scenes in the Polish countryside. He became a portrait painter, in a style strongly influenced by impressionism, symbolism and Art Nouveau style.

Teodor Axentowicz
Title: Old man and girl
Description
Starzec i dziewczyna
Date 1895
Okręgowe Museum in Lublin


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/starzec-dziewczyna-teodor-axentowicz/

Pod brzemieniem nieszczęścia by Teodor Axentowicz


Women mourning and crying sadly in the suburbs. The family of the deceased is usually composed of condolences, which is expressed in solemn words of compassion and sorrow over the death of their loved ones.

Teodor Axentowicz
Title: Under the burden of adversity
Description
Date before 1938
Source Lwowska Galeria Obrazów, Warsaw


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/pod-brzemieniem-nieszczescia-teodor-axentowicz/

Kobieta z dzbanem Smutek by Teodor Axentowicz


A long hair lady, holding a bottle in her hand. She wore a black dress, wearing a black veil on her head, could have hinted at losing important people. Expressed in the portrait, a person experiencing sadness may become silent or lethargic.

Teodor Axentowicz
Title: Woman with a pitcher (Sadness)
Description
Polski: Kobieta z dzbanem (Smutek)
Date circa 1904
Medium pastel and watercolor on paper
Dimensions 96.5 × 66 cm (38 × 26 in)


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/kobieta-z-dzbanem-smutek-teodor-axentowicz/

Biała róża by Teodor Axentowicz


A girl with wavy hair, wearing a short-sleeved velvet Dress, holding a white rose in her hand.

Teodor Axentowicz moved on to the creation of portraits. Renowned as a portrait of young and fragile, attractive women, most of which are created in the technique of pastels.

Teodor Axentowicz
Title: White Rose
Description
Polski: Biała róża
Date circa 1930


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/biala-roza-teodor-axentowicz/

Dziewczyna z gromnicą by Teodor Axentowicz


Gromniczną in Polish Catholic tradition it is celebrated as the feast of Our Lady of Gromnics. Beginning in the 9th century, the faithful on this day bring candles to the church called blessings. Procession with burning candles at the beginning of the liturgy is a sign of a new walk through life in union with Jesus and the glow of his gospel.

Gromnica (Our Lady of the Gospic), drawing by Michał Andriolli showing the burning of the cross sign on the porter (beam) hut on the day of Our Lady of Gromnity.

Teodor Axentowicz
Title: Girl with a Candle
Русский: Девочка с громничной свечой
Polski: Dziewczyna z gromnicą
Object type Painting
Date Undated
Dimensions Height: 320 mm (12.6 in). Width: 240 mm (9.45 in).
Current location
Museum of Art in Łódź


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/paintings/dziewczyna-z-gromnica-teodor-axentowicz/

2017年10月12日星期四

Gęsiarka by Teodor Axentowicz


A girl in a yellow handkerchief with pattern on her head, wrapped in a gray-green plaid, holds a stick in her hand, which protrudes from behind her under the covers.

She was smiling standing in the middle of a pasture or meadow. Around her is a large group of goose. behind her was a few cattle, prove that she might came from a affluent farmers. Behind her a herd a hill and trees. A chalet in far away . Colors of nature point to autumn. The sky is overcast.

The landscapes and genre scenes that depict the life of a village in the suburbs have become a frequent topic.

Teodor Axentowicz
Title: The Goose Girl.
Polski: Gęsiarka (Gęsi z pasterką).
Date 1883
Medium oil on canvas
Dimensions 41 × 53 cm (16.1 × 20.9 in)


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/gesiarka-teodor-axentowicz/

Hucuł by Teodor Axentowicz


Self-portrait of Teodor Axentowicz when he was studied in Paris at Carolus Duran's workplace. In 1888, he participated in the Marseilles exhibition and was elected a member of the French Academy.

Teodor Axentowicz
Title: : "Hutsul" (Self-portrait).
Polski:Hucuł
Date 1888
Medium watercolor on paper
Dimensions 47 × 41 cm (18.5 × 16.1 in)


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/watercolor/hucul-teodor-axentowicz/

A Ruthenian peasant girl by Teodor Axentowicz


Young Ruthenian peasant girl, wearing traditional Ukraine costumes, holding candles and bottles in hand, seems to be participating in festivals.

Teodor Axentowicz moved on to the creation of portraits. Renowned as a portrait of young and fragile, attractive women, most of which are created in the technique of pastels. He has created numerous portraits of pastels and paintings on Ukrainian subjects, in which they depicted folk life, rituals and customs.

Teodor Axentowicz
Title: A Ruthenian peasant girl
Français : Jeune paysanne ruthénienne


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/ruthenian-peasant-girl-teodor-axentowicz/

Lirnik i dziewczyna by Teodor Axentowicz


The lirnik is a folk singer and musician who accompanies his play on the wheel lire. The lyre is very loud, and it can also be played at weddings, the lyrical performance of the Dumas is a specific, monotonous, mostly speaking, in a small band of melodies, traditional dances or expressive recitation recitation.

Since the 15th century, lyretics have been known in Ukraine, Belarus, Lithuania, and Moldova. The repertoire of Ukrainian lyre have historical songs and dumas, church cants and psalms, Ukrainian folk songs, primarily humorous and satirical.

Teodor Axentowicz
Title: Lyrist and girl
Polski: Lirnik i dziewczyna
Date 1900
Medium oil on canvas
Dimensions 60.5 × 49.8 cm (23.8 × 19.6 in)
Current location
Lviv National Art Gallery


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/paintings/lirnik-dziewczyna-teodor-axentowicz/

Pogrzeb huculski by Teodor Axentowicz


Famines in Eastern Europe were a common occurrence. Agricultural productivity of peasants was one of the lowest in Europe, due to the use of primitive agricultural techniques, many little different from those used in the Middle Ages.

Peasants have been too malnourished to work properly, and had little immunity to diseases such as cholera, typhus, smallpox and syphilis.

Emancipation of serfs did not improve their situation significantly, as they were given poorly paid jobs by the local major landowners, doing little to improve the peasants welfare from the previous feudal relations.

Teodor Axentowicz
Title: Hutsul Funeral.
Polski: Pogrzeb huculski
Date 1882
Medium oil on canvas
Dimensions 86 × 115 cm (33.9 × 45.3 in)


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/pogrzeb-huculski-teodor-axentowicz/

Portret Józefa Potockiego by Teodor Axentowicz


Józef Mikołaj Potocki (1862.9.8 - 1922.8.25) Polish landowner, traveler, book collector, deputy to the Russian State Duma, Austrian subcommittees.

He took care of the Sanguszko Slavic bookstore, which greatly expanded; In the Antoniny Palace, he collected about 20,000 volumes and numerous works of art, partially destroyed during the First World War and the Polish-Russian War. After the events of the war, Potocki transported the collection to the Warsaw palace, where after years they were destroyed during the Warsaw uprising. He was the initiator of the creation of the Potocki family's archives and the publication of monographs of the Potocki estate. He contributed to the enlargement of several Volyn libraries, among others. agricultural and sugar library in Szepetówka.

He was the first European to reach Senaar on the Nile Blue. He announced several travel and hunting books, among others. Hunting notes from the Far East.

Teodor Axentowicz
Title: Portrait of Józef Potocki
Description
Polski: Portret Józefa Potockiego
Date circa 1890
Oil on canvas,
Muzeum-Zamek w Łańcucie


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/paintings/portret-jozefa-potockiego-teodor-axentowicz/

Dziewczyna Huculska by Teodor Axentowicz


A girl from Huculska. The Hutsul people, who live mostly in the Carpathians in Ukraine and in Romania, but also in an area in the East Carpathian Mountains north of the river Bistritz, officially named "Huzelei".

Teodor Axentowicz
Title: Huculska Girl
Description
dziewczyna huculska
Date:1883


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/dziewczyna-huculska-teodor-axentowicz/

Nad morzem by Teodor Axentowicz


Woman with white dress by the sea. Skirts were looped, draped, or tied up, and worn over matching or contrasting colored underskirts. Velvet was also a very popular fabric used during this period.

Tailored costumes consisting of a long jacket and skirt were worn for travel or walking; these were worn with the bustle and a small hat or bonnet. Travelers wore long coats like dusters to protect their clothes from dirt, rain, and soot.

Hair was usually pulled back at the sides and worn in a low knot or cluster of ringlets; later hair was swept up to the top of the head. Fringe or bangs remained fashionable throughout the decade, usually curled or frizzled over the forehead.

Teodor Axentowicz
Title: By the sea
Description
Nad morzem
Date:1883


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/nad-morzem-teodor-axentowicz/

Orthodox Epiphany by Teodor Axentowicz


Apparition of the Lord, Epiphany - a Christian celebration to celebrate the revelation of God to man (theophany), the presence of God in human history, and the gift of man to the knowledge of God. The holy symbols are the story described in the Gospel of Matthew, according to which the Magi from the East came to Bethlehem to worship Jesus, the Baptism of Christ in Jordan, and the Miracle of turning water into wine in Cana of Galilee. This is a prescribed holiday.

The feast was introduced at the beginning of the fourth century in the East in order to deny the popular feast of the birth of the god Aion. Probably under the influence of Gnosticism, the feast of epiphanies was also recognized as a reminder of the baptism of Jesus in Jordan.

Epiphany, theophany and the first manifestation of the Holy Trinity during Baptism. The followers of the Orthodox Church commonly refer to a group of feasts celebrated one day as a feast of the Jordan.

Teodor Axentowicz
Title: Orthodox Epiphany
Description
Polski: Orthodox Epiphany
Date: between 1890 and 1900


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/orthodox-epiphany-teodor-axentowicz/

Jordan's holiday by Teodor Axentowicz


Some parts of the Ukrainian lands have survived some of the samples or elements of the sacred songs - works performed on the feast of Epiphany - celebrating the transition of the sun to the constellation Aquarius - the day of the goddess of water Dana or the goddess of the sun Yardana. On the consonants of the names and under the influence of Christianity, this holiday was called Jordan. The Slavic pagan tribes celebrated this day near the reservoirs with special magic rituals, whose purpose was to magnify the deities and spirits of water, to satisfy them, to lead their favor and help.

According to the old custom, the sacred performances (like all other pagan celebrations) were held at night before the rising of the sun, where the moon became important. Before the dawn of the sun was recruited and the so-called "unbroken water", which dug homes and farms. This ritual reminiscent of ritual seeding and carries the same symbolic-content load: fertility and prosperity.

Teodor Axentowicz
Title: Jordan's holiday
Description
Description
Українська: Свято Йордану
Polish: Swieto Jordanu
Date before 1938


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/jordans-holiday-teodor-axentowicz/

Swieto Jordanu by Teodor Axentowicz


Teodor Axentowicz has created numerous portraits of pastels and paintings on Ukrainian subjects depicted folk life, rituals and customs.

Teodor Axentowicz
Title: On Jordan's Day
Description
Description
Українська: Свято Йордану
Polish: Swieto Jordanu
Date before 1938


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/swieto-jordanu-teodor-axentowicz/

Na Gromniczną by Teodor Axentowicz


Gromniczną inn Polish Catholic tradition it is celebrated as the feast of Our Lady of Gromnics. Today, the emphasis is on the person of Christ, who is "the light of the world" and "the light of the enlightenment of the heathen," and was given the name of the Lord's Offering. Since time immemorial, the Church has commemorated the bringing of the Child Jesus by Jesus to the Temple of Jerusalem. In some areas this day was called the Feast of Simeon.

Beginning in the 9th century, the faithful on this day bring candles to the church called blessings. Procession with burning candles at the beginning of the liturgy is a sign of a new walk through life in union with Jesus and the glow of his gospel.

Gromnica (Our Lady of the Gospic), drawing by Michał Andriolli showing the burning of the cross sign on the porter (beam) hut on the day of Our Lady of Gromnity. Upon returning home, the flame of the burner was burned on the ceiling beam. Burning a bulldozer and putting it in the hands of the dying person.

Teodor Axentowicz
Title: On Gromnica
Description
Русский: На Громницы. 1910
Polski: Na Gromniczną. 1910
Date 1910


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/na-gromniczna-teodor-axentowicz/

Zaduszki by Teodor Axentowicz


Zaduszki is the day of the prayer for souls in Poland. People tidied the graves of their relatives, decorated them with flowers, lit the candles; a collective prayer for the dead was organized, and concluded with having the priest bless the graves with prayers and holy water.

Women would traditionally bake special bread for souls on the Zaduszki holiday. The bread was brought to the cemetery and given to the poor, children, clerics. Streets are filled with silent and solemn crowds, and cemeteries glow with thousands of candles, presenting a unique and picturesque scene.


Teodor Axentowicz
Title: Zaduszki
Русский: Задушки
English: Zaduszki
Date 1913


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/zaduszki-teodor-axentowicz/

Zloty aniol by Teodor Axentowicz


The golden angel playing music. Teodor Axentowicz's was naturally prominent in the form of naturalism, with a deeper sense of imaginary solutions, with a consistent combination of realism and consistent application of expressions.

Poland traditional, regionalized folk musicians, create a lively and diverse music scene, which even recognizes its own music genres. The world złoty in Polish means golden, It is also a traditional currency unit dating back to the late Middle Ages.


Title: Zloty aniol
Author:Teodor Axentowicz
English: Golden angel
Date circa 1900


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/zloty-aniol-teodor-axentowicz/

2017年10月11日星期三

W drodze na Święto Jordanu by Teodor Axentowicz


In Poland, Epiphany, or "Trzech Króli" (Three Kings) is celebrated in grand fashion, with huge parades held welcoming the Wise Men, often riding on camels or other animals from the zoo, in Warsaw, Poznań and other cities. The Wise Men pass out sweets, children process in renaissance wear, carols are sung, and living nativity scenes are enacted.

Poles take small boxes containing chalk, a gold ring, incense and a piece of amber, in memory of the gifts of the Magi, to church to be blessed.

Axentowicz painted many realistic genre scenes in the Polish countryside, in a style that was strongly influenced by impressionism, symbolism and Art Nouveau style.

Author:Teodor Axentowicz
English: On the way to Epiphany
Description
Русский: По дороге на Крещение
Polski: W drodze na Święto Jordanu
Date before 1938


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/w-drodze-na-swieto-jordanu-teodor-axentowicz/

W Święto Jordanu by Teodor Axentowicz


Epiphany is a Christian feast day that celebrates the revelation of God incarnate as Jesus Christ. In Western Christianity, the feast commemorates principally the visit of the Magi to the Christ child, and thus Jesus' physical manifestation to the Gentiles.

Popular Epiphany customs include Epiphany singing, chalking the door, having one's house blessed, consuming Three Kings Cake, winter swimming, as well as attending church services.

Axentowicz painted many realistic genre scenes in the Polish countryside, in a style that was strongly influenced by impressionism, symbolism and Art Nouveau style.

Author:Teodor Axentowicz
English: On Epiphany
Description
Русский: На Крещение
Polski: W Święto Jordanu
Date 1895


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/w-swieto-jordanu-teodor-axentowicz/

Czytająca by Teodor Axentowicz


Axentowicz began his career as a photographer, he also painted many realistic genre scenes in the Polish countryside, in a style that was strongly influenced by impressionism, symbolism and Art Nouveau style.

A novel about a wise girl

Why does the soul go dark? Why fate?
Never together! And the time is empty.
Is there anybody else besides myself,
What is the sadness that I'm going to deny?

Author:Teodor Axentowicz
English: Reading
Polski: Czytająca
Date: before 1938


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/czytajaca-teodor-axentowicz/

Polnisches Mädchen by Teodor Axentowicz


Teodor Axentowicz's portrait of young and fragile, attractive women, most of which are created in the technique of pastels.

The Polish woman's costume includes a white blouse, a vest that is embroidered and beaded on front and back, a floral full skirt, an apron, a red coral bead necklace, and lace-up boots. Unmarried women and girls may wear a flower wreath with ribbons while married women wear a white kerchief on their head.

Kabotek a short waist shift with puffed, elbowlength sleeves. Wedding version of the shirt has long sleeves. Trimming of a thin collar, named lemiec, was embroidered a half cross stitch in black or brown. The item of clothing is velvet and usually black or claret.

cap were embroidered in small motifs, stars or dots. Czepiec is tied at the back and covered with usually linen cloth. Commonly are silk cherry-gold or dark brown silk clothes, with a floral motif.

Author:Teodor Axentowicz
Tirle: Polish girl
Polnisches Mädchen
Description: Mädchen. Signiert.
Polnisches Pastell. 62 x 40 cm
Date by 1938
Medium pastel on paper


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/polnisches-madchen-teodor-axentowicz/

Portrait of a girl with kerchief by Teodor Axentowicz


Tedor Axentowicz beginning with paintings of everyday genre, he later moved on to the creation of portraits. Renowned as a portrait of young and fragile, attractive women, most of which are created in the technique of pastels.

Axentowicz gained recognition as a portraitist, painter of beautiful women and author of genre scenes showing huts and customs aristocracy. In the works of the artist, with time, the features of the era of secession became more and more visible.

Author:Teodor Axentowicz
Title: Портрет дівчинки
Medium pastel on paper


Teodor Axentowicz
May 13, 1859 - Aug 26, 1938

Teodor Axentowicz was a Polish-Armenian painter and university professor. He was a portraist,also dealt with illustrative graphics and poster design while worked as an illustrator in magazines and made copies of paintings by former masters, among others. Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. He was also the rector of the Academy of Fine Arts in Kraków.

Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli for Le Monde illustré. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career.

[pt_view id="e6abd99teh"]

In the years 1890-1899 he made many trips to London and Rome, where he painted portraits of women and the Polish aristocracy. In 1894 he started collaboration with Wojciech Kossak and Jan Styka during the preparation of the Racławice Panorama, one of the largest panoramic paintings in the history of Polish art. The following year he moved to Kraków, where he became a professor at the local Academy of Fine Arts. He was also active in the local society and cooperated with various societies devoted to propagation of arts and crafts. In 1897 he founded an artistic conservatory for women and soon afterwards became one of the founders of the Sztuka society.

In 1904 at the St. Louis World's Fair, Axentowicz received a Special Commemorative Award in recognition of distinguished service in connection with various national sections of the Department of Art. In 1910 he became the rector of the Academy and since 1928 was also an honorary member of the Zachęta Society. While in Paris, he received the prestigious title of Officier d'Académie Ordre des Palmes Académiques and Member of Académie des Beaux-Arts.

He was awarded many gold metals at both national and international exhibitions. Throughout his life he had numerous exhibitions, both in Poland and abroad. In addition to Society of Polish Artists "Sztuka", he was also a member of Hagenbund and a founding member of the Vienna Secession.
https://hisour.com/art-medium/crayon-pastel/portrait-girl-kerchief-teodor-axentowicz/

2017年10月9日星期一

Tottori Prefectural Government, Japan


Tottori is located at the western edge of Japan’s main island of Honshu, in the northeast area of the Chugoku region. It is a fairly long and narrow prefecture. To the north is the Sea of Japan, with the Tottori Sand Dune and lovely beaches dotted with pine trees. In the south is the Chuguku Mountains, including Mt Daisen, the highest peak in the region. The climate is temperate, with four distinct seasons; weather is relatively fine from spring to autumn, with some snow in winter.

Nurtured by the rich nature of Tottori Prefecture and the wisdom of the predecessors, by making wide introduction of the handicrafts of the local people living in the present, the maker and the user meet and the reliable work of the maker and attachment of the user lasts forever It is a purpose of bridging between making and handling like.

Tottori handwork that inherits traditional techniques that have been handed down and challenges the creation of new works while learning from the traditional techniques. Everything old and new, everything is full of charm. In this corner, I will introduce Tottori's manual work in series, such as ceramics and Japanese paper.

Craftsmen, Japanese paper, wooden furniture, wood bamboo work, dyeing and weaving, toys, leather, glass and other works are produced and introduced into the Tottori prefecture living citizens and their works are introduced. Currently, we introduce ceramic, Japanese paper, wooden furniture, wood bamboo work, dyeing fabric, leather, toys and blacksmith.

[pt_view id="569a846tpg"]

In the column of the gallery, we will introduce a wide range of works from everyday use to artworks the creators are making now. I will add it as soon as the interview is complete.

In the column of the workshop etc, we will introduce origin, feelings for production, career, contact information and so on. In addition, there is also a map of the production experience information and the location of the local studio. The map can be displayed with a different scale.

Ceramics:
Yanase kiln, Oyama Kakuoka kiln, Shinjin roasting, Makiya kiln, Ceramic workshop Ash work, Shinjin roasted Kamiyama kiln, Yamane kiln, Kuromomiyaki, Honjoji Nakai kiln, Hoshinoji Nakai kiln, Hiki kiln, Urafumi yaki , Honjoji tempura pine tree kiln, Enkokuji kiln, Kurofumi, Iwai kiln, Ogi kiln, Kurayoshi yakihachi kiln, Takayama yaki, Suezong workshop, Fukuma yaki, Kuroyu kiln, Kiwa kiln

Japanese paper:
Nishimura Paper Factory, Ikebara Paper, Okamura Hiseide Paper Paper Factory, Hasegawa Kenito Paper, Nakahara Shoten

furniture:
GREEN WOODS, Wakuwaku Studio, Hatch Furniture Studio

toy:
This puppet factory, Hojo earth dolls, Ohuraya, Nobuo Craft store, Chezhou Wakakura grill

Wood · bamboo products:
Suzuki House, Bamboo Dollhouse, Tottori Folk Craftworker, Nintama Bamboo Studio, Yamada Sculpture Store, Piaan Pia, Kobayashi Ken's Shop, Nakayama Crafts, Otani Kiriko, Yodoe Umbrella Trading Association, Autumn Snow Factory, Yaeyama Sculpture, Japanese Umbrella Studio Hatsune

Textile fabric:
Flower cloth shop, Kurayoshi kasashi preservation society, Oyama Yuzen dye hand drawn atelier Kawahara, Iwasaki knitting, Kobo Yumihama, South home textile, Matsuda dyeing shop

leather:
Mint tutu leather, large shops, atelier MOTO'S

Blacksmith:
Otsuka knife blacksmith

We will introduce event information on solo exhibitions, group exhibitions and participating exhibitions inside and outside the prefecture.

In order to let you know more about the handicrafts in Tottori Prefecture, we will introduce a wide range from history and culture to recent events.


https://hisour.com/partner/asia/tottori-prefectural-government-japan/

2017年10月8日星期日

TIRAZ widad kawar home for arab dress, Amman, Jordan


TIRAZ is the home of the Widad Kamel Kawar dress collection, the most complete collections of both Palestinian and Jordanian dress. It is also home to the largest collection of Syrian dress outside of the country. The museum showcases Arab costumes from the 19th and 20th centuries, with a total collection of over 2000 costumes and weavings. TIRAZ is a Jordan-based institution which aims to preserve the Widad Kawar collection, and promote the vibrant Palestinian and Jordanian cultural heritage and Arab traditions.

“The most beautiful and profound form of Palestinian history was written by the women of Palestine embroidered those dresses that were colored by the sun”

Tiraz is an interactive museum for an elegant and extremely rare kind of social history; a history which is tactile and visual, woven into fabric, and related though the work of feminine hands.

It has taken over fifty years of commitment and vision to build the Widad Kamel Kawar collection, as a home for one of the most significant archives of Arab costume heritage in the modern era.

[pt_view id="75b5cad3m7"]

Tiraz is more than a space to remember. It is a place to restore and renew, what could have become lost.

Exhibition:

The Widad Kawar collection contains over 2000 costumes and weavings. Each piece belongs to a particular time, a particular tribe or village, with an individual story to tell.

Tiraz is a place to exhibit and combine these stories for the public in Jordan and the Middle East, as well as for cultural centres and institutions around the world. To be celebrated and understood, and collection must be seen and experienced.

Words alone cannot capture the spirit and immediacy of the embroidered patterns; the sensitivity, diversity and the richness of their forms.

Tiraz curates, describes and explores these forms, expressed in the seams of each garment, in a way which historians and visitors from all over the world will come to appreciate and remember.

A Living Archive:
Tiraz is an uplink to memories and histories that an entire generation has never had the chance to experience, but is eager to rediscover. Our mission is to remember, restore and revive the vibrancy of Palestinian and Arab costume heritage in a new institutional setting which is accessible, open, and fun.

The collection is preserved in a specialized environment, to slow the passage of years and decay. A living archive is being created- based on research and oral testimony – to ensure that the collection remains fully documented for researchers in the region and world-wide.

Tiraz is not only a place for what has been. It is a place for remembering and learning the value of what still exists to this day; a place where cultural forms are experienced as well as studied, and the traditional finds its place alongside the modern.

A large part of this is working with local experts and organisations to revive traditional handicrafts, by running specialized workshops on embroidery and handicraft techniques, with a focus on economic viability, creativity and mentorship.

Communication:
History has been communicated in many forms; from the architecture of the pyramids, to the gold leaf of Byzantium, to photography, to art and even to film in the modern era. It is time that costume, textile and embroidery – specifically that created in the area of the Levant over the past two centuries – becomes recognized as a valuable, colourful and intricate form of history in its own right.

Tiraz works to communicate the context and importance of the Widad Kawar Collection both within the Arab World, and internationally. The work has a visceral quality, demonstrating beyond all doubt how the tribes, peoples and countries of this part of the world have long been inter-connected with each other, and with the rest of the world.

This is why Tiraz has developed and is expanding an educational program on Arab textile heritage for schools, universities and the public. It is why we are commissioning research and publications on the role of traditional handicrafts and the women who created them.

Ultimately, we see the museum as an organic space for a form of culture and memory distinct to Arab culture, and universal in its human scope.

There was a time, when from Nablus to Bethlehem, Ramallah to the West Bank, from Madaba to the Jordan Valley, a story of tribes & memory was woven into embroidery. Between the 19th and 20th centuries variations in style, colour and pattern of dress were used to reflect cultural and family affiliation, birth, marriage and death, as well as social structure.

After the 1948 and 1967 wars this form of embroidery became a national symbol for Palestinians in particular. Relegated to refugee camps and scattered across the corners of the Middle East, these imaginative patterns woven into fabric began to evoke, like the orange trees of Jaffa or the village life of Nablus, a beauty lost through War.

As modernity advanced and a temporary situation became ever more permanent, the memory of societies and townscapes decked in the colour of these fabrics began to fade. In the monochrome fog of a never-ending struggle old ways of being became ‘traditional’, and the dress of a previous generation became at best a ‘luxury’, and at worst an anachronism.

Few at the time realized that within these seemingly quaint robes precise information on social morphology, on the cross-fertilisation between Jordanian, Syrian, Bedouin and other Arab cultures, as well as geographical and other ethnographic details had been encoded in a visual language.

The Widad Kawar costume collection represents a story of human beings, and a form of history itself, woven in thread.

Created over the course of a lifetime, the collection includes more than 2000 pieces of wedding garments for women and men, everyday wear, children’s garments, head veils and dresses for women and men, as well as jewellery and amulets, home utensils and religious robes. It ranges from the simple and homespun to forms of craftsmanship, for example the use of gold and silver plated thread, which are extremely rare.

The Collection is about much more than preserving the past. It is about renewing it, for many generations to come.

In addition to several other regional exhibits in Jordan, Dubai, Bahrain, Abu Dhabi and Saudi Arabia. As well as, other international exhibits, including but not limited to the United Kingdom, France and Lebanon.


https://hisour.com/partner/asia/tiraz-widad-kawar-home-arab-dress-amman-jordan/

Objective abstraction

Objective abstraction was a British art movement. Between 1933 and 1936 several artists later associated with the Euston Road School produce...