History
Soon after the modern movement, reactions were formed based in the philosophies of Friedrich Nietzsche and Søren Kierkegaard. The reaction took on the name of existentialism, and was characterized by the phrase "existence precedes essence". Existentialism was followed by postmodernism, which embraced Nietzsche's critique of the will to truth, which is the standing characteristic of modernism. Neomodernists maintain that truth still exists in a universal form and directly refute existentialist and postmodern viewpoints that the essence of an existent is formed in the observer's bias. Neomodernists stand against the discrediting of the concept of authorial intent in postmodern hermeneutics. Instead, they state that a text written in simple terms can only have the meaning that the author intended, rather than finding that even the most straightforward text can have multiple interpretations.
Associated individuals
Ágnes Heller
Ágnes Heller's work is associated with Moral Anthropology and "probing modernity's destiny for a non-predatory humanism that combines the existential wisdom of ancient theory with modern values."
Neomodernism accepts some aspects of postmodernism's critique of modernism, notably that modernism elevated the world view of dominant groups to the status of objective fact, thereby failing to express the viewpoint of "subaltern groups," such as women and ethnic minorities. However, in her view, neomodernism rejects postmodernism as:
Unscientific: the ability of science to generate useful knowledge cannot be waved away as "scientism".
Journalism: as not giving any explanation as to how or why things happen.
Local: as being unable to recognise patterns that occur across time or location.
Unverified: as lacking any validation process, and therefore proceeding by fad and hierarchy.
Victor Grauer
In 1982, Victor Grauer attacked "the cult of the new," and proposed that there had arisen a "neo-modern" movement in the arts which was based on deep formal rigor, rather than on "the explosion of pluralism." His argument was that post-modernism was exclusively a negative attack on modernism, and had no future separate from modernism proper, a point of view which is held by many scholars of modernism.
Carlos Escudé
In "Natural Law at War", a review essay published on 31 May 2002 in The Times Literary Supplement (London, TLS No. 5174), Carlos Escudé wrote: “Postmodern humanity faces a major challenge. It must solve a dilemma it does not want to face. If all cultures are morally equivalent, then all human individuals are not endowed with the same human rights, because some cultures award some men more rights than are allotted to other men and women. If, on the other hand, all men and women are endowed with the same human rights, then all cultures are not morally equivalent, because cultures that acknowledge that ‘all men are created equal’ are to be regarded as ‘superior,’ or ‘more advanced’ in terms of their civil ethics than those that do not.” Escudé's brand of neomodernism contends with “politically-correct intellectuals who prefer to opt for the easy way out, asserting both that we all have the same human rights and that all cultures are equal.”
Andre Durand and Armando Alemdar
Published their own Neomodernist Manifesto in 2001. The Neomodern Manifesto posits criteria for a revitalised approach to works of art founded on history, traditional artistic disciplines, theology and philosophy. Durand's and Alemdar's Neomodernism views art as an act of expression of the sublime; in Neomodern painting as a representation of the visual appearance of things with correspondence to the physical world understood as a model for beauty, truth, and good. Neomodern works of art via mimesis interpret and present the universe and man’s existence, in line with the belief that the reality we live is but a mirror of another universe that can only be accessed through inspiration and imagination.
Gabriel Omowaye
Gabriel Lolu Omowaye, in his speech 'A new challenging time' to a group of college students in Nigeria, in 2005, took a different approach to neomodernism. He viewed neomodernism as a political philosophy that became more prominent in the early 21st century. To him, it involves common goal and joint global effort - universalism - to address arising global challenges such as population growth, natural resources, climate change and environmental factors, natural causes and effects, and health issues. Omowaye posited that political will is the major driver of economic necessities. As a result, he added that neomodernism involves limited government-regulated liberalism along with high drive innovation and entrepreneurship, high literacy rate, progressive taxation for social equity, philanthropism, technological advancement, economic development and individual growth. He perceived the quest for equal representation of men and women in the neomodern era as a strong signal for advent of postmodernism. So also, the quest for youths engagement in resourceful and rewarding ways especially in governance, peace building and self-productivity has not taken a formidable shape than it is at this time. As far as he was concerned, he believed most of these challenges were not adequately tackled in preceding eras and the arising challenges thus stated were not prepared for and that cause for change in mentality and thinking which the neomodern era is providing for solutions to the era's challenges, with a prospective view to global stability and social inclusion. His philosophical thought premised on a fact that new times require new approaches from new reasonings, even if some applicable ideas or methologies could be borrowed from the past, an acute form of paradigm-shift.
Omowaye believed in idealism as guiding realism and in turn, realism as defining idealism. Moral concepts cannot be wished away from social norms, but evolving social trends dissipate morality in form of religion and logical standards and adheres to current norms in form of 'what should be'. Consequently, the manner at which 'what should be' is driven at in the modern and postmodern eras, being widely accepted became 'what is'. The manner at which the damage of the new 'what is' is hampering development process in the form of higher mortality rate and decadence of cultural good, calls to question the ideology behind the norms that are less beneficial to a wider society in form of globalization. The world as a whole through technological advancement became a global community particularly, in the 21st century. Former Secretary General of the United Nations, Kofi Annan then stated that the "suffering anywhere concerns people everywhere". Champions of neomodern age such as Bill Gates and Richard Branson in the field of philanthropy expounded their vision to encompass the global community in social good such as alleviating poverty, eradicating diseases, enhancing literacy rates and addressing climate changes.
Technological advancement of the neomodern era however has its downturns in that it added to the decadence in cultural good such that people everywhere, especially high number of youths follow the trends in the new 'what is', which include social celebrities in the form of dressing, sexual activities, extravagancies, and less interest in learning and even, working but more interest in making money. Money became a value-determinant than utility. This brought about frauds in various sectors. This latter aspect is not limited to youths but even company executives, and politicians of many societies. Technological advancement has made privacy less safer for intrusion and people more safer for protection. The supposedly good of technological advancement in the neomodern era has included whistle blow such as Wikileaks' Julian Assange. The more good has been in the level of innovations and innovators it has sprung up such as Facebook's Mark Zuckerberg and easier business models and broader social connectivity. This latter part has lessened more amity in immediate environment and many people tend to live more in the virtual world neomodern technological advancements have created.
Neomodernism checks more into the current relative way of living of people and the society to correct necessary abnormalities and to encourage virtues and values within the global community in the 21st century.
In furtherance, Gabriel Omowaye's view of neomodernism was that knowledge comes from learning and experience, and wisdom primarily from intuition. Knowledge is a variable of set occurrences of that which happens to a man and that which a man seeks to know. Knowledge is vital and good for discretion but a minor part of discernment wherein what is known might not be applicable. Intuition is a function of the mind and the mind, not seen, and yet unknown to the carrier, is a function of what put the thoughts, ideas and discretion in it. Wisdom without knowledge is vague, and knowledge without wisdom, unworthy. Wisdom perfects knowledge, and in the absence of either, the sole is delusory.
Other uses
Neomodernism has been cited in law as applying to an approach which grants economic rights to indigenous peoples, but without restricting them to their traditional economic activities. Neomodernism recognizes the importance of the human side of organizations. People and their needs are put at the center and, with the recognition that the values and beliefs of people both shape and are shaped by their experiences of organizational life, comes an interest in areas such as organizational culture, leadership and management. McAuley John, Diberley and Johnson (2007)
Neomodernist architecture
Neomodern architecture continues modernism as a dominant form of architecture in the 20th and 21st centuries, especially in corporate offices. It tends to be used for certain segments of buildings. Many residential houses tend to embrace postmodern, new classical and neo-eclectic styles, for instance, and major monuments today most often opt for starchitect inspired uniqueness. Neomodern architecture shares many of the basic characteristics of modernism. Both reject classical ornamentation, decorations, and deliberate ambitions to continue pre-modernist traditions. Neomodernist buildings, like modernist ones, are designed to be largely monolithic and functional.
Characteristics
Neo-modernism reuses the characteristics of modernism and is first recognized by the use of concrete, glass and steel. The materials are left in the raw state and devoid of ornament, the constructive structures are exhibited, in the manner of the brutalist movement. The shapes are geometric and angular. The openings to the outside form large rectangular windows, according to the principle of the curtain wall. The plan is opened by a decompartmentalization, according to the logic of the "plateau-free" which characterizes the architecture of Le Corbusier.
The paradox of neo-modern architecture is that it uses the aesthetic vocabulary of an era that sought precisely to break free from the notion of style (modernism is characterized by its desire to break with tradition). The neo-modernist style sometimes comes into conflict with the very principles of modernism, using ornament masking the real constructive elements. One can go so far as to recreate the imprints of a dummy formwork, to use concrete shades in PVC flooring, wallpapersimitating formwork and concrete panels, or even installing false structural elements such as pillars and beams (imitating steel or prestressed concrete) whose role is aesthetic and will not meet a technical need. This way of using constructive materials as an ornament is also found in the Industrial Style.
Artist group
The neomodern artist group was founded in 1997 by Guy Denning on the premise that the diversity of contemporary art was being stifled by the state supported art institutions and organisations. The group have no common style or media but there is a bias towards figurative painting. Original artists listed: Jim Butler, David Cobley, Emily Cole, Mark Demsteader, Guy Denning, Ian Francis, Juno Doran, Ghislaine Howard, Jamin, Maya Kulenovic, Mark Stephen Meadows, Antony Micallef, Motorboy, Carol Peace, Graeme Robbins, Harry Simmonds, Tom Wilmott, Franklin Torres, Kit Wise, Claire Zakiewicz
Source from Wikipedia
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