Contents
The book tackles the five orders, Tuscan, Doric, Ionic, Corinthian, and Composite in separate sections, each subdivided in five parts on the colonnade, arcade, arcade with pedestal, individual pedestals, and entablatures and capitals. Following those 25 sections were some less related parts on cornices and other elements. Written during the 1550s, it was published in 1562, and was soon considered the most practical work for the application of the five orders. Apart from the introduction, the book existed solely of 32 annotated plates, with views from the Pantheon illustrating the Corinthian order and the Theatre of Marcellus for the Doric order. Later editions had more illustrations.
Vignola followed the examples from the classical Roman work The Architectura of Vitruvius and the five books of the Regole Generali d'Architettura of Sebastiano Serlio published from 1537 onwards, and wrote an architectural textbook on the classical building orders, which was more practical than the two previous books that had a more philosophical approach. It was written during the 1550s and published in 1562 and was soon considered the most practical work for the application of the five building orders. Except for the introduction, the book consisted entirely of 32 annotated plates with faces of the Pantheon illustrating the Corinthian order and the theater of Marcellus for the Doric order. Later editions had more illustrations.
Author
Vignola was an Italian Renaissance architect who was the assistant of Michelangelo during his work on the St. Peter's Basilica. He was also one of the architects of the Palazzo Farnese and the Church of the Gesu. Following the examples of the Classical Roman work of Vitruvius and the five books of the Regole generali d'architettura by Sebastiano Serlio from 1537 on, Vignola started writing an architecture rule book on the classical orders. His work was more practical than the preceding two books which were more philosophical in nature.
Editions and translations
It was over the next centuries often reprinted, translated, and used as an inspiration, e.g. for William Robert Ware's main work The American Vignola from 1904. By 1700, it had been reprinted 15 times in Italian, and was translated in Dutch, English, French, German, Russian and Spanish. By the end of the twentieth century, more than 250 editions of the book had been published, marking it as "the most widely used architectural textbook of all up to the nineteenth century [...] forming one of the universal bases of courses of architecture"
Source From Wikipedia
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