Kim Deuk-sin

Kim Deuk-sin (김득신 金得臣 1754 - 1822) was the son of a royal court painter, Kim Eungri, and followed in his father's footsteps. He entered royal service as a member of the Dohwaseo, the official painters of the Joseon court. Kim Deuk-sin is known for his pungsokhwa along with Danwon. His is the Korean dynasty Royal painter, widely Known for his Scenes painting.

He is famous for his paintings and genres, and he is a member of the Buddhist scriptures and the masterpieces. He is also known as the three vegetations. He works in the Tak Shou Palace Art Museum, the Goryeo University Museum and the Jiansong Art Museum.

Kim Dickson (1754-1822) is a painter of the Joseon Dynasty (1392-1910), one of the 18th-century painters who pioneered the creation of realism in North Korea.

He painted a lot of landscape painting and animal painting, especially good at character painting.

His works on the description of life vivid, realistic reflection is very real, for the development of realism folklore painting made a great contribution. In his own works, he painted the heroes of the labor masses, and had a wide range of manifestations of their lives, vividly reflecting the social system, economic life and customs.

Its representative is "on the road see Ye map".

The picture shows a couple of peasants in the summer who met the field of two classes, respectfully salute him to the scene. A pair of two wrestling hats on the donkey looked contemptuously looking at the peasant couple, the ghostly servant hurriedly holding the reins to stop the donkey, and there was a servant carrying a heavy luggage behind him Behind, revealing ridicule like a smile, these expressions are very humorous, satirical two lines of bluff. Five body cast to bow to salute the man, gently holding the two hands of the salute of the woman, good to show the identity of the feudal identity of the simple, honest Palestinian farmers image.

This picture depicts the expression and action of each person from the difference in identity through a side of ordinary life, vividly reflects the irrationality of the feudal social identity system and the relationship between the people from fair.
Clever composition, simple description of the shape, accurate strokes to draw out the environment and other details, a good show of Korean painting excellent.

Kim Shing-chen also painted a lot of works such as "fishing in the river", "returning to the city map", "driving the cat" and so on.
https://hisour.com/artist/kim-deuk-sin/