Tani Bunchō

Tani Bunchō (谷 文晁 Oct 15, 1763 - Jan 6, 1840) was a Japanese literati painter and poet He was the son of the poet Tani Rokkoku As his family were retainers of the Tayasu Family of descendents of the eighth Tokugawa shogun, Bunchō inherited samurai status and received a stipend to meet the responsibilities this entailed In his youth he began studying the painting techniques of the Kanō school under Katō Bunrei After Bunrei's death, Bunchō worked with masters of other schools, such as the literati painter Kitayama Kangen, and developed a wide stylistic range that included many Chinese, Japanese and European idioms He rose to particular prominence as the retainer of Matsudaira Sadanobu, genetic son of the Tayasu who was adopted into the Matsudaira family before becoming chief senior councilor of the Tokugawa Shogunate in 1787 Bunchō is best known for his idealized landscapes in the literati style Unlike most bunjinga painters of his time, however, Bunchō was an extremely eclectic artist, painting idealized Chinese landscapes, actual Japanese sites, and poetically-inspired traditional scenery

My grandfather's primary professor was a lower official at the beginning but he was qualified as a civic politician because he was superior in economic skill, he was selected by Tanoya and left his result Father Kusaya also became Tazusa 's vassal and became known as a Chinese poet Bungeo, who grew up in Bunraku's family line, had a genius, and also improved Waka, Chinese poetry, rakugo and so on Chinese poems of Bunko are posted in Volume 3 of Koyamado Goryo in Kikuchi Goyama

When I was 12 years old, I met my father 's friend, Kano Fumiya Kato , and when I was 18 years studied under apprentice Watanabe Watanabe of Nakayama Takayo At the age of 20 Bunri gave a halt so he studied Kitaya's paintings for Kitayama Shigaraki It is said that he also learned Suzuki Furongo, but it is not certain After that, I learned Kano school from Kano Kano, and in Yamato, I also learned old Tosa, Rimpa, Maruyama school, Shijo faction, and also Korea painting and Western paintings At the age of 26, he attempted to travel to Nagasaki, dropped in at Kimura and Shogendo on Osaka, and received formal Nanjing's Pyongyang from Kishunumi Izumi After Kimura Shingudo 's death, he mourned the death and gives a portrait to the bereaved family Since I arrived in Nagasaki I learned the painting method in Zhang Akitani and stayed for more than a month Based on copying and sketch of old paintings, we aimed at a style of cooperation between the North and the North by compromising the factions The area has established its own style which is said to be "Yashinobu Kagaku," which has a wide range of paintings, including Sanshui paintings, flower bird paintings, portraits and Buddhist paintings, and later became the Kanto Minami art gallery titan

At the age of 26, he served as an incomparable apprentice to the Tanoya family, he got a career as a pref Numbered chopper seat, and Okushi painter At the age of 30, he was admitted to Matsudaira Shingobu who was adopted by Shirakawa Domain Matsudaira Tadanobu at the age of 30 and was served as a fixed letter until the 9th year of culture (1812), where it became an adjunct and retired In 1753 he was accompanied by the regular escape of the Edo bay and he created the "Kuchi survey chart" In addition, under the faithfulness of life, investigated old cultural assets, engaged in compilation of collection collection "Sekko 10 types" and "Ancient Journalism Classics", and performed ancient books and old treasures Moreover, he is making copies of "Ishiyamadera Temporary Egami Scroll" Atelier "Komine Yamabusa" was established at Komine Castle Sannomaru Daruma in Shirakawa Daruma City has been modeled on the designs written by Bungo

Bunsho traveled around Japan all over the country till the age of 30 with travel lovers that both autistic and genuine admire, and only 4 or 5 countries have never been A mountain of various places was photographed by way of travel and it was published as a masterpiece "Nagayama Nagaya picture" "Niameama mountain drawing" which was written in the ninth year of culture (1812) is a representation of the landscape of the representative mountains 89 of Japan in 90-leaf pictures, was widely popular at that time, influences the viewpoint of posterity mountains I gave it Mt Fuji prefers the mountain most, and many masterpieces such as Fuji peak map and Furong figure are left

A lot of disciples are an introduction to Shikudayama Tower Produced the later owners such as Watanabe Yuyama and Tachihara Anno The origin of the name of Shinoyama Tower is located in Shimodani Nagamachi and the view of Mt Fuji from the top is good The Shinshanro was two stories and twenty tatami mats He always persuaded his disciples about the importance of photography and copying of old paintings, and lectures focused on replication of Shennan However, it was an educational posture that respects the individuality and identity of the disciples without falling into powder principle / formalism like the Kano school Although famous as a disciple thought teacher, criticism that it is authoritarian remains

After the retirement of the fair, Wenjin receives pension due to his longstanding achievement and the formality is devoted to painting at Shinshanro while waiting My wife 's valley stem (Mr Hayashi), Atsuka sister Aka, Ai Aka are also known as female artists My younger brother Shimada Nenba is also good at drawing, Fumiko adopted Valley, Fumiko Valley Fuji also excelled in painting techniques, the valley Iomon prospered However, because Shuichi Wenji, who was regarded as a successor, and Fumiji faced with each other, Sharp Shan had fallen afterwards

Kameda Penjisai and Sakai Hoichi were referred to as "Shimotsuta's Three Broads Pair" and they enjoyed playing and enjoyed in enjoyment, but they touched the brush as Most until the last moment Civil penguin 12 years (1829) Years of constant faith this year, Shimonaga who became 67 years old was shaved with treatment of the painter At the age of 75, he was declared a statutory position and went to issue Aya

Tenpo 11 (1841) Dead at the Age of reign 79 The graveyard is Asakusa Genji Temple, the legal title "Honorary student honorary honorary election sentence Ayumi"

The phrase of the leprosy of the world The gods of the old-fashioned old-fashioned old-fashioned Misesu at the end of the mountain

Style
Works of Kanbun Bunka Kansei Year (1789 - 1801 27 - 38 years old) Evaluation is particularly high
Wulong Bamboo (Because the fallout resembles the footprints of Crow, also called butterfly fumigation) Works in the middle culture - Tianba period (1811 - 1840) It is said to be a period of ruins, but also many goods

Master work:
Kamikaze Katsuragi Kan 5 years (1793) Important cultural property • Tokyo National Museum
Aoyama-zen-so Figure drawing Kan 9 years (1797) Important Cultural Property • Idemitsu Art Museum
Toyama Sanso HomePage Kansei 10 Years (1798) Important Cultural Property / Idemitsu Art Museum
Kimura Shido Statue Kiwa 2nd year (1802) Important Cultural Property • Osaka Prefecture Board of Education (Osaka Municipal Museum of Art Storage)
Yuzenji Figure Kiwa 2nd year (1802) Shikado Bunko Museum Art Museum
Hikoyama Magokoro Figure and culture 12 years (1815) Tokyo National Museum
http://hisour.com/artist/tani-buncho/