Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother Master of Alkmaar 1520 - 1535

Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother
attributed to Master of Alkmaar 1520 - 1535
From the collection of
Rijksmuseum
Details
Title: Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother
Creator: attributed to Master of Alkmaar
Date Created: c. 1520 - c. 1535
Physical Dimensions: h 133.5cm - w 83.4cm
External Link: See more details about this work on the Rijksmuseum Website http://hdl.handle.net/10934/RM0001.COLLECT.9044
Medium: oil on panel

Rijksmuseum
Amsterdam, Netherlands

The Rijksmuseum is the museum of the Netherlands. Its world-famous masterworks from the Dutch Golden Age include the Milkmaid by Vermeer and Rembrandt's Night Watch. The Rijksmuseum itself is also a masterpiece. The collection is presented in a stunning building with amazing interior design. In 80 galleries 8,000 objects tell the story of 800 years of Dutch art and history, from the Middle Ages to Mondrian. Every year, over 2.5 million visitors travel through the ages and experience a feeling of beauty and sense of time.

Master of Alkmaar
1540

The Master of Alkmaar was a Dutch painter active around Alkmaar at the beginning of the sixteenth century. His name is derived from a series of panel paintings from the church of Saint Lawrence in that city, dated to 1504 and showing the Seven Works of Mercy; they are currently in the Rijksmuseum in Amsterdam. The paintings, bearing the stamp of Geertgen tot Sint Jans, are done in bright colors, and their figures are drawn in an exaggeratedly caricatured manner. It has been proposed that this artist is identical to Cornelis Buys I, the brother of Jacob Cornelisz van Oostsanen; he is known to have been active in Alkmaar between 1490 and 1524. More recently, the name of Pieter Gerritsz, originally of Haarlem, has been proposed, he being in Alkmaar beginning in 1502. This artist, in 1518, was compensated for a painting of Saint Bavo in Haarlem, and his name can be found in records of the Egmond Abbey and of the church of Saint Lawrence in Alkmaar, over a period covering the years 1515 to 1529.
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