The Interior of the Chinese Room, Looking toward the Conservatory, Middleton Park, Oxfordshire William Alfred Delamotte 1840

The Interior of the Chinese Room, Looking toward the Conservatory, Middleton Park, Oxfordshire
William Alfred Delamotte 1840
From the collection of
Cooper Hewitt, Smithsonian Design Museum
The exotic motifs in this Chinese room show the popularity of chinoiserie decoration in the Regency period. The walls are hung with Chinese painted paper bordered in blue and decorated with Chinese characters. Bamboo furniture, the Chinese pane in the transom above the doorway to the conservatory, and the japanned door are also examples of Regency Chinese taste.
Details
Title: The Interior of the Chinese Room, Looking toward the Conservatory, Middleton Park, Oxfordshire
Creator: William Alfred Delamotte
Date Created: 1840
Signed: Lower left, in gold paint: 1840/ W. A. D.
Provenance: Eugene V. Thaw Collection; Christopher Wood Gallery, London
Paper Support: White wove paper
Exhibitions: New York, NY, Cooper-Hewitt, National Design Museum, Smithsonian Institution. House Proud: Nineteenth-Century Watercolor Interiors from the Thaw Collection, August 12, 2008-January 25, 2009.New York, NY, Frick Museum. An Album of Nineteenth-Century Interiors: Watercolors from Two Private Collections, 1992.London, Christopher Wood Gallery. Annual Summer Exhibition of Fine English Watercolors and Drawings, 1990, No. 45 [Illus.].
Dimensions: Old frame H x W x D: 42.5 x 48.3 x 3.8 cm (16 3/4 x 19 x 1 1/2 in.)Sheet: 24.5 x 31.3 cm (9 5/8 x 12 5/16 in.)
Bibliography: Charlotte Gere and Floramae McCarron-Cates, " House Proud, From Amateur to Professional and from Grand to Comfortable, " in Gail S. Davidson et al., House Proud, Nineteenth-century Watercolor Interiors from the Thaw Collection (New York: Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2008), 46-47, fig. 23; 97, fig. 27.Charlotte Gere, An Album of Nineteenth-Century Interiors: Watercolors from Two Private Collections (New York: The Frick Collection, 1992), 58-59 [Illus.].Christopher Wood Gallery, Annual Summer Exhibition of Fine English Watercolors and Drawings (London: 1990), no. 45 [Illus.].Charlotte Gere, Nineteenth-Century Decoration: The Art of the Interior (New York: Harry N. Abrams, Inc., 1989), 234 [Illus.].
Type: Drawing
Rights: Thaw Collection
Medium: Brush and watercolor, gouache and gold paint, graphite on white wove paper

Cooper Hewitt, Smithsonian Design Museum
New York, United States

Cooper Hewitt, Smithsonian Design Museum is the only museum in the nation devoted exclusively to historic and contemporary design. The museum has re-opened after three years with 10 opening exhibitions featuring a rich mix of historic and contemporary design objects from our permanent collection, unique temporary installations, and dynamic interactive experiences. We also have an exciting calendar of events, including hands-on workshops, talks, and family programs.

The Museum was founded in 1897 by Sarah and Eleanor Hewitt—granddaughters of industrialist Peter Cooper—as part of The Cooper Union for the Advancement of Science and Art. A branch of the Smithsonian since 1967, Cooper-Hewitt is housed in the landmark Andrew Carnegie Mansion on Fifth Avenue in New York City.

The campus also includes two historic townhouses renovated with state-of-the-art conservation technology and a unique terrace and garden. Cooper Hewitt’s collections include more than 217,000 design objects and a world-class design library. Its exhibitions, in-depth educational programs, and on-site, degree-granting master’s program explore the process of design, both historic and contemporary. As part of its mission, Cooper Hewitt annually sponsors the National Design Awards, a prestigious program which honors innovation and excellence in American design. Together, these resources and programs reinforce Cooper Hewitt’s position as the preeminent museum and educational authority for the study of design in the United States.

William Alfred Delamotte
1775 - 1863

William Alfred Delamotte, was an English painter and engraver.
W. A. Delamotte was the son of a French refugee. His remarkable drawing skills were apparent from an early age, so that he enjoyed the royal patronage of King George III. After having exhibited at the Royal Academy in 1793, he enrolled at the Royal Academy Schools the following year, becoming a student of Benjamin West, another of the King's protégés and President of the Royal Academy. Even during these years of study, Delamotte chose to turn his attention to architectural and landscape work. From the Academy he moved to Oxford, depicting its buildings in numerous sketches. In 1803 he accepted the post of drawing-master at the newly established Royal Military College, Sandhurst, a position he held for forty years.
Besides producing watercolours and a few oils, he turned to printmaking by way of etching, lithography and soft-ground etching.
He was the brother of George Orleans Delamotte, landscape artist and teacher.
Philip Henry Delamotte, photographer and illustrator, was the son of Mary and William Alfred Delamotte. He was born on 21 April 1821 at Sandhurst, Berkshire.
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